Stylianos Devaris

Greek Painter
Stylianos Devaris
John Chrysostom, Criticizing Empress Eudoxia
Born1745
Lefkada, Greece
Died1813 (1814)
Lefkada, Greece
NationalityGreek
Known forIconographer and Goldsmith
MovementHeptanese School
Greek Neoclassicism
Greek Romanticism

Stylianos Devaris (Greek: Στυλιανός Δεβάρης, 1745 – 1813), also known as Defaris (Greek: Δενάρης) and Kornaros (Greek: Κορνάρος) respectively. He was a Greek painter and goldsmith. He was one of the prominent painters from the island of Lefkada. He was a member of the Heptanese School. The island featured many painters namely: Konstantinos Kontarinis, Spyridon Ventouras, Spyridon Maratzos, and Makarios Lefkas. A notable theme popular on the island was John Chrysostom, Criticizing Empress Eudoxia. Stylianos painted his own version of the theme. Spyridon Ventouras and Makarios Lefkas also painted their versions. Devaris mainly painted ecclesiastical themes. According to the Institute of Neohellenic Research, over nineteen of his paintings have survived. His most notable work was John Chrysostom, Criticizing Empress Eudoxia.[1][2][3][4][5]

History

Devaris was born on the island of Lefkada. His father's name was Tzortzis. The family was associated with the island of Kephalonia. His brother was born there. His name was Ioannis. He was also a painter. He was five years older than Stylianos. They collaborated on several projects together in Lefkada. The church archives in Lefkada contain a rich amount of information about the painter. Stylianos also used the name Kornaros because his name was so popular on the island of Lefkada. Stylianos created small works and gilded the iconostasis of several churches.[6]

In 1778, the artist worked on the church of Agia Paraskevi. Two years later he worked on the church of Agioi Anargyroi of Lefkada. He also painted an icon for the church of Saint Mavra in 1783. Saint Mavra was the patron saint of Lefkada. He also painted icons for the church of the Holy Apostles (Agioi Apostoli) in Frini, Lefkada in 1793, 1794, and 1797. In his final years, he worked on the iconostasis of the church Entrance of the Virgin in the city of Lefkada in 1813. He died on the island that same year.[7]

Gallery

  • Christ Enthroned
    Christ Enthroned
  • Behold The Man
    Behold The Man
  • Archangel Gabriel
    Archangel Gabriel

See also

References

  1. ^ Hatzidakis, Manolis (1987). Greek painters after the fall (1450-1830) Volume A. Athens, GR: Center for Modern Greek Studies E.I.E. pp. 259–260.
  2. ^ Eugenia Drakopoulou (October 11, 2021). "Στυλιανός Δεβάρης". Institute for Neohellenic Research. Retrieved October 11, 2021.
  3. ^ Philadelpheus, Alexander (1935). The Museums of Athens Archaeological, Historical, and Artistic Guide-book. Athens, Greece: National Museum of Greece. p. 210.
  4. ^ Kominē-Dialetē, Dōra (1998). Leksiko Hellenon Kallitechnon Tomos 1 Zographoi, Glyptes, Charaktes, 16os-20os Aiona. Athens, Greece: Melissa Publishing House. p. 263, 407. ISBN 9789602040355.
  5. ^ Κονόμος Ντίνος 1918-1990 (October 11, 2021). "Στυλιανός Δεβάρης". The Library and Archive of the National Gallery Alexandros Soutzos Museum. Retrieved October 11, 2021.{{cite web}}: CS1 maint: numeric names: authors list (link)
  6. ^ Hatzidakis, 1987, pp. 259-260
  7. ^ Hatzidakis, 1987, pp. 259-260

Bibliography

  • Hatzidakis, Manolis (1987). Greek painters after the fall (1450-1830) Volume A. Athens, GR: Center for Modern Greek Studies E.I.E.
  • Hatzidakis, Manolis & Drakopoulou, Eugenia (1997). Greek painters after the fall (1450-1830) Volume B. Athens, GR: Center for Modern Greek Studies E.I.E.
  • Drakopoulou, Eugenia (2010). Greek painters after the fall (1450-1830) Volume C. Athens, GR: Center for Modern Greek Studies E.I.E.
  • v
  • t
  • e
Heptanese School (painting)
Principal proponentsOther artistsOutside Ionian IslandsMajor works
  • The Archangel Michael (Poulakis, 1640–1692)
  • Constantine and Helen (I. Moskos, 1665–1721)
  • The Fall of Man (Poulakis, 1640–1692))
  • The Holy Towel (E. Tzanes, 1659))
  • Saint Onuphrius (E. Tzanes, 1662))
  • Jacob’s Ladder (E. Moskos, 1664–1666)
  • The Miracle of the Holy Belt (Poulakis, 1640–1692))
  • Virgin and Child on Bronze (E. Moskos, 1650–1687)
  • Noah's Ark (Poulakis, 1660–1692)
  • Adoration of the Shepherds (Tzangarolas, 1688–1700)
  • Virgin Glykofilousa with the Akathist Hymn (Tzangarolas, 1700)
  • The Holy Family (P. Doxaras, 1700)
  • Virgin Glykofilousa (Karantinos, 1723)
  • Angel Holding the Body of Christ (Kallergis, 1732)
  • Vision of Constantine (Stavarkis, 1729–1786)
  • Assumption of Mary (N. Doxaras, 1725–1775)
  • The Prophet Jonah (Stavrakis, 1750–1800)
  • The Deposition from the Cross (Stavrakis, 1729-1786)
  • The Holy Trinity (Romas, 1764)
  • Entry of Christ into Jerusalem (Karousos, 1780)
  • A Scene from the Life of John Chrysostom (Ventouras, 1797)
  • Saint Spyridon, John the Baptist, Saint Peter, and Saint George (Koutouzis, 1750–1813)
  • Lamentation of Christ (Kantounis, 1790–1834)
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