Portrait of an Unknown Gentleman
Painting by El Greco
Portrait of an Unknown Gentleman | |
---|---|
Spanish: Retrato de un caballero desconocido | |
Artist | El Greco |
Year | 1603-1607 |
Medium | Oil on canvas |
Dimensions | 64 cm × 51 cm (25 in × 20 in) |
Location | Museo del Prado, Madrid |
Portrait of an Unknown Gentleman (Spanish: Retrato de un caballero desconocido) is an oil painting by El Greco.
Painted in Toledo between 1603 and 1607, and on display at the Museo del Prado, it has been cited as a possible portrait of Miguel de Cervantes, based on the fact that the author and playwright was living near Toledo in 1604 and that he knew people within El Greco's circle of friends.[1]
It is one of a series of secular portraits of unknown gentlemen, all of them dressed in black and wearing white ruffs, against dark backgrounds, the most famous of which is El caballero de la mano en el pecho (The Nobleman with his Hand on his Chest) (ca. 1580).[2]
See also
References
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El Greco
- Adoration of the Magi (c. 1565–1567)
- Dormition of the Virgin (1565–1566)
- Healing of the Man Born Blind
- Dresden, 1567
- Parma, c. 1573
- Modena Triptych (1567–1569)
- Baptism of Christ (1567–1569)
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- The Fable (1570–1575)
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- El Soplón (1571–1572)
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- Penitent Magdalene (1576–1578)
- Saint Sebastian (1576–1579)
- Santo Domingo el Antiguo Altarpiece (1577)
- Saint Lawrence's Vision of the Madonna and Child (1577)
- Adoration of the Holy Name of Jesus (1577–1579)
- Assumption of the Virgin (1577–1579)
- Disrobing of Christ (El Expolio) (1577–1579)
- Holy Trinity (c. 1577–1579)
- Saint Anthony of Padua (1580)
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- New York, c. 1580
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- Madrid, 1597–1600
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- The Tears of Saint Peter
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- The Immaculate Conception with Saint John the Evangelist (c. 1585)
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- Barcelona, 1587–1592
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- London, 1590
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- Christ on the Cross Adored by Two Donors (c. 1590)
- The Penitent Saint Peter (c. 1590–1595)
- Saint Louis (1592–1595)
- Virgin Mary (Mater Dolorosa) (c. 1594–1604)
- Holy Family (c. 1595)
- Christ Taking Leave of his Mother (1595)
- Saint Andrew and Saint Francis (1595–1598)
- Adoration of the Shepherds
- Bucharest, 1596
- Madrid, 1612–1614
- Doña María de Aragón Altarpiece (1596–1599)
- View of Toledo (1596–1600)
- Virgin Mary (1597)
- Saint Martin and the Beggar (1597–1599)
- The Virgin of Charity (1597–1603)
- Allegory of the Camaldolese Order (c. 1597)
- Saint John the Baptist (1597–1607)
- Saint John the Evangelist and Saint Francis (c. 1600)
- Saint Bernardino of Siena (1603)
- Nativity (1603–1605)
- Coronation of the Virgin (1603–1605)
- Marriage of the Virgin (1603–1607)
- Saint John the Evangelist (c. 1605)
- The Apparition of the Virgin to Saint Hyacinth (c. 1605–1610)
- The Immaculate Conception (1607–1613)
- Saint Peter (1608)
- View and Plan of Toledo (1608)
- Concert of Angels (1608)
- The Saviour (1608–1614)
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- Opening of the Fifth Seal (1608–1614)
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- Laocoön (1610–1614)
- Saint Paul (1610–1614)
- Saint Sebastian (1610–1614)
- Julián Romero and Saint Julian (1612–1614)
- Portrait of Giulio Clovio (c. 1571)
- Portrait of Vincenzo Anastagi (1571–1576)
- The Nobleman with his Hand on his Chest (c. 1580)
- Portrait of a Doctor (1582–1585)
- Portrait of a Gentleman (c. 1586)
- Portrait of Rodrigo Vázquez de Arce (c. 1587–1597; lost, known from a copy)
- Portrait of an Elderly Man (1587–1600)
- Portrait of Antonio de Covarrubias (1595–1600)
- Self-Portrait (1595–1600)
- Portrait of Jorge Manuel Theotocópuli (c. 1597–1603)
- Portrait of a Young Nobleman (1600–1605)
- Cardinal Fernando Niño de Guevara (c. 1600)
- Portrait of an Unknown Gentleman (1603–1607)
- Portrait of Fray Hortensio Félix Paravacino (1609)
- Portrait of Juan Pardo de Tavera (1609)
- Portrait of Jerónimo de Cevallos (1609–1613)
- Portrait of Francisco de Pisa (1610–1614)
- Jorge Manuel Theotocópuli (son)
- Lady in Ermine (1947 film)
- El Greco (1966 film)
- El Greco (1998 album)
- El Greco (2007 film)
- El Greco fallacy